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Since I’m on a marathon of posting old news (string of my last posts all actually occurred more than a year ago), why not another old story.

Beginning this year, Mattie and I had to go to Brussels to visit the French embassy for my visa related appointment (well, that is another adventure story!). After this boring but very important appointment, we visited Alice Gallery. I followed this gallery for some time now as some of my favorite artists have exhibited there (Atelier Pica Pica, Steve Powers, Todd James, Erosie). Also during this time, I knew Paul Wakers was exhibiting. Even though the gallery was closed on the day we were in town, Alice opened the gallery for us.

Paul Wackers is a painter from NY. I don’t know where or when I first encountered his paintings, but I instantly fell in love with his shelf-like composition – full of plants, vases, weird sculptures. Chaos contained between straight lines.

I felt fortunate to see the paintings up closed. There are so many interesting textures, layers, thickness, mediums which I missed from only looking at pictures of his paintings.

You can look at more of his works on his website or instagram. And follow Alice from Alice Gallery here.

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Paul Wakers
<Parts of everything that are pieces of everything are all around us>
Alice Gallery
Brussels, Belgium
November 16, 2017 – January 26, 2018

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Last Friday, I took a bus to Brussels. After four long hours, chatting with a friendly Senegalese man who sat next to me (he started the conversation with “Senegal is love peace and harmony”), I arrived at Salon Mirage – a three day edition/book/zine festival.

Mattie (now my husband since a few weeks ago <3) was invited for a group exhibition during the festival along with Quentin Chambry, Alexis Poline and Adrien Frégosi. All four of them live in different cities (Paris, Rennes, Angers, Sète), so they arrived in Brussels a week before the exhibition opening to produce all the works under the same roof.

Mattie didn’t send me any photos during the week of the production, and I didn’t really ask for them. Mattie’s last few exhibitions were with me, so I was looking forward to be surprised by what he would produce with other guys.

When I walked up to the gallery space which was a floor above the book fair, Senegalese man’s words on the bus came to my mind – “love peace and harmony!” A group exhibition could often be chaotic or divided, but instead, I found the show otherwise. Also, even though I know everyone’s work really well – especially Mattie, Quentin and Alexis’ works – their choice of collaborating made the works new and surprising.


Quentin painted these series with diluted ink off of a carbon paper.


Mattie made the base print using smeared offset printing ink, then together with Quentin and Alexis, they painted on top with ink and oil sticks.


Alexis usual giant canvases, but with unusual brush strokes and color combination. 


Drew by Quentin and colored by Alexis. One of my favorite pieces.


Mattie’s paper cut out series, which surprised me the most, using feather light papers and staples. They hung loosely by yarns, almost floating and beautifully backlit by the window behind them.

The book festival was equally great – cozy atmosphere, friendly people, admirable zines (I will share them in future posts), satisfying croque-monsieur served at the bar. You can check out the photos of the festival here (French).

It was a short trip, and we took the train back to Paris on Sunday. As we were walking to the train station, I would not stop talking about Belgium french fries and american filet (my must eats in Belgium) which we didn’t have time to eat and wished I had a few more hours in Brussels. Well, next time : )

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PREMIER RECARD
Group exhibition at Salon Mirage (Brussels, Belgium)
Quentin ChambryAlexis PolineAdrien Frégosi, Mathieu Julien
15, 16, 17 September, 2017

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